This article aims to demonstrate the documentary value of Zora Neale, Hurston’s descriptions, in her novel Seraph on the Suwanee, of the condition of the poor white US Southerners known as “crackers.” By, depicting a “cracker” woman’s upward social trajectory through, marriage, Hurston reveals the social and existential reality of this, segment of the white population. Her novel presents an objective, analysis of the crackers as a socio-historical group distinct from other, whites. However, Hurston also explores the subjective side of belonging to this discredited group by offering an account of her heroine’s experience of stigmatization
The recent trend in Anthropology has been to focus on new ways of representing ethnographic experien...
The life-work of novelist/essayist/folklorist Zora Neale Hurston has been recently and lovingly salv...
In the early twentieth century, African-American women in the southern United States faced double op...
Many critics argue that Zora Neale Hurston overlooks racism in Their Eyes Were Watching God. This pa...
This essay explores Zora Neale Hurston’s evolving discourse on interracial cultural exchanges in her...
During Zora Neale Hurston’s life, she wrote many controversial statements on race. Scholars continu...
Zora Neale Hurston is a progenitor of the black female voice in the 20th century. All the female cha...
The African-American novelist Zora Neal Hurston’s Their Eyes Were Watching God is about a black fema...
Although critics pay much attention to Zora Neale Hurston's religious discourse in most of her novel...
Zora Neale Hurston was a controversial in the Harlem Renaissance. Her little studied autobiography c...
This presentation identifies the two main forces of oppression at play in Zora Neale Hurston\u27s se...
The work of Zora Neale Hurston, in particular, the novel Their Eyes Were Watching God, has been the ...
Contrary to what official historical records show, recent studies convincingly prove that women have...
A combination of narrative, ethnographic, epistolary, critical, and biographical discourses has prod...
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was uniq...
The recent trend in Anthropology has been to focus on new ways of representing ethnographic experien...
The life-work of novelist/essayist/folklorist Zora Neale Hurston has been recently and lovingly salv...
In the early twentieth century, African-American women in the southern United States faced double op...
Many critics argue that Zora Neale Hurston overlooks racism in Their Eyes Were Watching God. This pa...
This essay explores Zora Neale Hurston’s evolving discourse on interracial cultural exchanges in her...
During Zora Neale Hurston’s life, she wrote many controversial statements on race. Scholars continu...
Zora Neale Hurston is a progenitor of the black female voice in the 20th century. All the female cha...
The African-American novelist Zora Neal Hurston’s Their Eyes Were Watching God is about a black fema...
Although critics pay much attention to Zora Neale Hurston's religious discourse in most of her novel...
Zora Neale Hurston was a controversial in the Harlem Renaissance. Her little studied autobiography c...
This presentation identifies the two main forces of oppression at play in Zora Neale Hurston\u27s se...
The work of Zora Neale Hurston, in particular, the novel Their Eyes Were Watching God, has been the ...
Contrary to what official historical records show, recent studies convincingly prove that women have...
A combination of narrative, ethnographic, epistolary, critical, and biographical discourses has prod...
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was uniq...
The recent trend in Anthropology has been to focus on new ways of representing ethnographic experien...
The life-work of novelist/essayist/folklorist Zora Neale Hurston has been recently and lovingly salv...
In the early twentieth century, African-American women in the southern United States faced double op...